Digital TV Group (DTG)

Digital TV Group (DTG)

Broadcast Media Production and Distribution

Vauxhall, London 5,123 followers

The centre of UK digital TV

About us

To make digital TV work in the UK today and into the future, you need all the right people around the table. The Digital TV Group is uniquely positioned to make that happen. Our members come from all the key sectors of digital TV. And for over two decades they have collaborated with our technical experts to create the best experience for viewers across the UK. The DTG is the UK’s unique, self-funding centre for innovation in digital media technology. Since 1995, it has been central to the distribution of TV in the UK – digital TV, interactive TV, the digital TV switchover, on-demand TV, HDTV and UHD TV. The DTG underpins the free-to-air platforms Freeview, Freesat and YouView, and supports the development of pay-TV and other platforms. We’re now working towards the future of television – embracing the convergence of content and networks to efficiently deliver video to all screens, in all formats. Our members tell us that the thing they value most about the Digital TV Group is the unique opportunity it gives them to collaborate with their wider industry network. At our roundtables and working groups, members from all the key sectors in digital media technology work closely with our technical experts. We also host regular plugfests for testing and an annual summit that celebrates landmarks in progress and looks ahead at what’s next. The DTG isn’t just a centre of innovation for UK digital TV. DTG Testing is a vital resource for the TV and IP industries and a trusted partner to the regulators. The team works daily to maintain standards across digital TV platforms so retailers and broadcasters know they are working with certified manufacturers and devices they can trust. Each year our technical experts produce real-world test reports, white papers, best practice guidelines and the d-Book, the definitive list of specifications for UK digital TV. The Zoo at DTG Testing is the UK’s only comprehensive testing and accreditation centre for digital TV devices and services.

Website
http://www.dtg.org.uk
Industry
Broadcast Media Production and Distribution
Company size
11-50 employees
Headquarters
Vauxhall, London
Type
Nonprofit
Founded
1995
Specialties
Digital Television, Standards, Test and Conformance, Collaboration, Innovation, Ultra HD, Digital terrestrial television, Video to mobile, Spectrum, RF engineering, OTT, 5G, Connected TV, Television, Set-top box, Member association, Networking, TV Technology, and Viewer experience

Locations

  • Primary

    DTG

    5th Floor, 89 Albert Embankment

    Vauxhall, London SE1 7TP, GB

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Employees at Digital TV Group (DTG)

Updates

  • Digital TV Group (DTG) reposted this

    Welcome back to another episode! And guess what? This one is extra special for two reasons. First, we’ve hit a milestone - it’s our 50th episode! 🎉 Secondly, we’re bringing you the amazing session that Maureen Kerr and Claire Tavernier gave at the #DTGSummit on 8th May in London. Join us for a quick 20-minute dive into the latest in TV, streaming, and AI. Expect some Baby Yoda references, and stick around to see if Maureen and Claire can ever agree on anything. Plus, you’ll still get to hear Oliver Turnbull's introduction to the recording. A big shoutout to the Digital TV Group (DTG), Jaisica Lapsiwala and Will Parsons for making this possible. And as always, please like, comment, and share... we love hearing from you! Let us know what you think! https://lnkd.in/ev65e_Dd

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  • Digital TV Group (DTG) reposted this

    View profile for David McClelland, graphic

    Technology Reporter, Broadcaster

    How television is consumed, distributed - and even created - is changing. From streaming services to smart TVs, from dynamic ad insertion to generative AI, technology is at the centre of the medium’s transformation - yet, remaining laser focused to ensure humans stay at its heart must be one of the industry's big challenges. It was a real privilege to host the Digital TV Group (DTG) Summit in London last week; amid all the excitement around innovative new technologies and business models, it was also reassuring to hear that viewers still top the consideration list. DTG’s CEO Richard Lindsay-Davies' opening remarks set the tone, urging that “no one gets left behind” - a call to ensure television services remain accessible to all parts of society; meanwhile, Media Minister Julia Lopez MP unvealed a commitment to digital terrestrial television until 2034. 🤖 “Generative AI is 80% noise at the moment.” I moderated an insightful panel into how AI is being employed in broadcast, featuring BBC R&D Director Jatin Aythora, Google UK’s Anshul Kapoor, and Channel 4 Technology Director Grace Boswood who, when reviewing new technologies, assesses them with a simple test: “Will it make me money or save me money?” 🛜 Streaming services were inevitably a major topic of conversation, and in our panel focused on this next era of television, BritBox International's Kerry Ball reflected upon how the channel is almost through its “puberty” phase, while SkyShowtime CEO Monty Sarhan told me “there are no streaming wars - there is space for us all”. There were many more great conversations besides, covering everything from immersive and next-gen viewer experiences (yes, there were Apple Vision Pro’s headsets to try), to regulation challenges in what has become a fragmented and inconsistent broadcast landscape, featuring an update on the initial findings of a call for evidence report to the government from Ofcom's Yih-Choung Teh. Thank you Richard Lindsay-Davies, Will Parsons and the DTG team for inviting me to host the day, to Chalk+Chilli's Jaisica Lapsiwala for expertly crafting the event programme, and to all of the contributors who shared their expertise in the panels and fireside chats. #DTGSummit #BiggerPicture #Broadcast #presenter #television

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  • View organization page for Digital TV Group (DTG), graphic

    5,123 followers

    Some very interesting changes to how the data is viewed and what it means below...

    Who Watches The Watch, Man? Yesterday on LinkedIn, I leaked Nielsen’ new version of The Gauge. https://lnkd.in/eYYUughh In this new product, Nielsen rewrites the last six months of TV history, conglomerating total audience across Streaming, Cable & Broadcast TV for each publisher-aka-distributor… Something I and most of their clients have been begging for. There’s a lot to unpack in The Gauge Reboot. The hyper focus on streaming and the streak of dominance by YouTube & Netflix conveyed by The (original taste) Gauge morphs into a top tier of TV players, dominated each month by The Walt Disney Company (#1 in all 6 months I reviewed) and a consistent cohort of elite TV platforms. Netflix & YouTube are in the money each month, but now, so are NBCUniversal, Paramount, Disco Bros, and even Fox. New Gauge™ allows Traditional Media to “catch up” to pure streamers, by finally showing their total reach across the spectrum of CTV. And that was the main issue with the first-edition Gauge: Traditional Media never had to “catch up.” In total TV time, these premium TV players were always there. A new, second tier on this new version introduces cable and local TV players to the game, giving a much clearer picture of our TV hierarchy. It’s fascinating to see the reach of local up against national cable outlets, side by side with FAST. But even with more data and players, Nielsen’s remake leaves so much more info to be desired. Key Example: Across the six months of The Gauge Redux that I saw, an average of 26.4% of viewing time is entirely unaccounted for. Below I re-express Nielsen’s April Gauge data, showing the un-counted viewing, and contrast it with the real-deal new Nielsen Media Distributor Gauge. In keeping with Gauge tradition, in their sequel myriad major players of the television ecosystem (Samsung Ads Sinclair Inc., TEGNA, VIZIO, Charter Communications, DIRECTV, and DISH to name but a few) have their viewing swept into an “Other” that isn’t even mentioned. As someone who puts out reports like this on the regular, I understand the reluctance to try to include everyone and everything in either versions of The Gauge. But more than ONE-QUARTER OF ALL TV VIEWING is a lot NOT to mention. Get my full review of The Return Of The Gauge - with all its pluses and minuses - here: https://lnkd.in/gaBZ3KfC The two versions of The Gauge prove ESHAP’s Law of Research: The same data tells very different stories, depending entirely on what you ask.

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  • Digital TV Group (DTG) reposted this

    We had a fantastic time at last week's Digital TV Group (DTG) Summit held at Kings Place, London - and we were proud to be an Event Supporter this year 🤝 It was a great opportunity to hear the latest news and views from leaders in broadcasting and digital TV - a huge thank you to everyone that met with us! Kevin Zemrowsky #DTGSummit #broadcasting #digital #TV #ImaginaryPictures #London

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  • Digital TV Group (DTG) reposted this

    View profile for Grace Boswood, graphic

    Technology & Distribution Director, Channel 4

    Earlier this week at the Digital TV Group (DTG) Summit "TV: The Bigger Picture", I discussed AI and how as an industry we make content, access information and use data for great insights and content.   My message to the room was that as Channel 4 considers AI or any new technology, we ask one key question: how can we be ruthless about how new technologies can enhance our business? It’s a simple equation – but often these conversations can get complicated and theoretical. So our overarching theme for 2024 is we will experiment – we will absolutely look at new tech – but we will innovate with purpose. For organisations like Channel 4, we need practical solutions that solve business problems. We need to focus not on the ‘tech’, but also practically what that tech enables.   This will be key as we deliver our Fast Forward strategy this year, delivering some exciting new innovation projects (stay tuned) or transforming Channel 4’s streaming platform through technology that delivers a step-change in the user experience for viewers and advertisers. Watch this space. Thankyou Jatin Aythora Anshul Kapoor Digital TV Group (DTG) David McClelland for a great event.

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  • View organization page for Digital TV Group (DTG), graphic

    5,123 followers

    Loving these 6 key #DTGSummit takeaways from our partner Simplestream. Check out their round up and some of the exclusive speaker interviews they captured below 👇 #BiggerPicture

  • Digital TV Group (DTG) reposted this

    View profile for Alexandra Wall, graphic

    Head of Streaming Editorial at Channel 4 | Qualified Professional Coach

    Earlier this week at the Digital TV Group (DTG) Summit "TV: The Bigger Picture", I had the privilege of discussing the issue of content discoverability in a sea of streaming choice with Julie Mitchelmore and Oliver Davies, moderated by Jonathan Broughton.   Top of my mind was how responsible curation, a trusted tone of voice and quality content remain vital to help viewers decide what to watch. Yes, we need to enrich viewing experiences through data and UI enhancements, but we are equally clear that we need to retain our voice as a trusted curator. With so much noise in the market, retaining that voice is even more important.   Crucial to our "philosophy" is upholding our editorial integrity and brand reputation, whilst embracing new technologies. Data is incredibly important. But as a PSB, our approach is to try and not only persuade a viewer to watch something, but build their trust in the service, by continuously improving the quality of those recommendations, encouraging viewers to feed their recommendations through 'learned actions' (the more you watch the better they become) and using clear signposting. Ultimately, our goal is to weave our content priorities and editorial strategy into the algorithm in what we term ‘smart curation.’   In an ever more algorithmic world, how do we do that? Is it possible to embrace Al and personalisation without losing our PSB point of difference? Very often it can feel binary, like it's ‘robots’ vs humans. AI vs creator. I believe the reality is more subtle: We can teach AI what our priorities are, and key to success in this space is working with our internal stakeholders and partners to ensure our brand values and content strategy are reflected within the recommendations, metadata and platform Uls.   Our ambition around curation is to strike a balance, to bring the viewer with us and earn that trust. When a viewer lands on the Channel 4 homepage, we want to show them a wide range of content that they expect to see there – without overwhelming them. Think of it like at trust funnel. The more they engage and browse, and the deeper they go into our app – the more licence we have to curate. In short, the more you show us you need our help to decide what to watch, the more we can dial up our curation, recommendations and tone of voice.   In a streaming world, persuasion and trust are both important. Personalisation is a crucial, growing tool in our editorial armour, but central to our strategy is to build viewers' trust and meet their expectations of what Channel 4 represents, whether that’s through editorial curation, social currency and word of mouth, or algorithmic recommendations that feel relevant to you. As we accelerate our transformation into a public service streamer and dive into the next iteration of content discoverability, Channel 4 must remain distinctive yet relevant. Can we truly do both? I believe we can. #DTGSummit #BiggerPicture #VOD #TV #Personalisation #Channel4 #Streaming #Curation

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  • Digital TV Group (DTG) reposted this

    As predicted in our Arthur D. Little Media Report, bundles will play a major role in offsetting churn. Disney and Warner Bros Discovery will bundle their Disney+, Hulu and Max streaming services similar to traditional cable TV packages. The bundle is expected to be out this summer and will be offered as both an ad and ad free plan. No news on price. Disney will serve as the distributor collecting membership payments from customers and giving Warner Brothers a cut. #streaming #Disney #Media

    View profile for Stephane David, graphic

    GM, CxO, VP, Business-Development | Media, Telecommunications & Tech | Canal+, Liberty Global & Liberty Latin-America, Sky.

    Another super bundle announcement. Ironic to see Variety use the "Triple Play" term here (*broadband not included!) "Disney and Warner Bros. Discovery — ordinarily rivals for consumers’ time and money — are teaming up for a triple-play bundle of Disney+, Hulu and Max." https://lnkd.in/e2xYYEuU

    Disney and Warner Bros. Discovery to Launch Disney+, Hulu, Max Streaming Bundle

    Disney and Warner Bros. Discovery to Launch Disney+, Hulu, Max Streaming Bundle

    https://variety.com

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